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Mayson Regular
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استخدام النص العربي كأساس لتصميم أبجدية لاتينية مقابلة.

Mayson Regular
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Arabic script

as inspiration

for Latin

letterforms

Mayson Regular
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AaBbCcDdEeFfGg

HhIiJjKkLlMmNn

OoPpQqRrSsTtUu

VvWwXxYyZz

0123456789?!

شِعر Poetry معاصر Contemporary مؤلف Author شِعر Poetry معاصر Contemporary مؤلف Author 
8 styles Thin Extralight Light Regular Medium Bold Extrabold
Pangram
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Mayson Thin

Start from 29 ($ 32.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Mayson Extralight

Start from 29 ($ 32.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Mayson Light

Start from 29 ($ 32.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Mayson Regular

Start from 29 ($ 32.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Mayson Medium

Start from 29 ($ 32.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Mayson Bold

Start from 29 ($ 32.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Mayson Extrabold

Start from 29 ($ 32.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Available Formats

Desktop Licenses

B
N

Extended Licenses

G
A
M
L

Scripts supported

Mayson
Designed by Francesco Canovaro released in 2023

Mayson is a humanist sans serif designed by Francesco Canovaro as an experiment in using the texture of Arabic script as a base for designing a matching Latin alphabet. Their common thread is the reference to handmade calligraphy and the use of a flat nib instrument, informing both the fluid and graceful strokes and swooping curves of the arabic script and the humanist open shapes of the Latin. Inspired by the rules of Arabic calligraphy, Latin letterforms adapt to some of its signature elements like sharp nib rotation angles and fluid, non-geometric shapes.

To these elements Francesco Canovaro has added a monolinear, low contrast design principle, that paired with a wide range of weights gives the final family a bold, contemporary look, equally at home in formal business contexts and more playful, creative applications. In this balance of functionalism and human touch Mayson manages to maintain a sense of simplicity and clarity. Mayson's letters are well-proportioned and easy to read, even at smaller sizes, making it an ideal choice for both print and digital projects. Its sleek, modern lines make it versatile and adaptable, able to convey a variety of moods and messages with ease.

Overall, this typeface looks for a novel way of  seamlessly blending two distinct visual languages into a cohesive and compelling whole, giving a warm, inclusive and contemporary vibe. Its unique aesthetic is sure to make it a favorite among designers and type enthusiasts alike.

SUPPORT 186 LANGUAGES  SHOW ALL HIDE ALL
English, Arabic, Spanish, Portuguese, French, German, Javanese (Latin), Italian, Afaan Oromo, Tagalog, Sundanese (Latin), Filipino, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Latvian, Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Sango, Luxembourgish, Samoan, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Corsican, Breton, Amis, Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Palauan, Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Wik-Mungkan, Anuta, Sami (Inari Sami), Yindjibarndi, Noongar, Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Slovio (Latin), Volapük

Weights

  • C
    Thin
  • C
    Extralight
  • C
    Light
  • C
    Regular
  • C
    Medium
  • C
    Bold
  • C
    Extrabold
  • C
    Variable

Features

  • fl fi
    Standard Ligatures
  • Abcde
    Contextual Alternates
  • (HO!)
    Case-Sensitive Forms
  • QKADC
    Stylistic Set 1
  • QKADC
    Stylistic Set 3
  • ÄÜ
    Titling
  • 12/23
    Fractions
  • 1a 3th
    Ordinals
  • 12360
    Lining Figures
  • 12360
    Proportional Figures
  • 12360
    Oldstyle Figures
  • 1234
    Tabular Figures
  • H123
    Alternate Annotation Forms
  • H123
    Denominators
  • H123
    Subscript
  • H123
    Superscript
  • H123
    Scientific Inferiors
  • H123
    Numerators
  • 120
    Slashed Zero

Variable Typefaces

Mayson Variable

VARIABLE FONTS ARE ONLY AVAILABLE WITH THE FULL FAMILY PACKAGE, MAY NOT WORK WITH ALL THE SOFTWARE

Mayson Bold
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European languages

Mayson Light
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The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.

Mayson Regular
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تختلف اللغات فقط في قواعدها ونطقها وكلماتها الأكثر شيوعًا. يدرك الجميع سبب الرغبة في إنشاء لغة مشتركة جديدة: يمكن للمرء أن يرفض دفع أتعاب المترجمين الباهظين. لتحقيق ذلك ، سيكون من الضروري أن يكون لديك قواعد موحدة ونطق وكلمات أكثر شيوعًا. إذا اجتمعت عدة لغات ، فإن قواعد اللغة الناتجة تكون أكثر بساطة وانتظامًا من اللغات الفردية. ستكون اللغة المشتركة الجديدة أكثر بساطة وانتظامًا من اللغات الأوروبية الحالية. ستكون بسيطة مثل أوكسيدنتال. في الواقع ، ستكون شركة أوكسيدنتال. بالنسبة لشخص إنجليزي ، سيبدو الأمر وكأنه لغة إنجليزية مبسطة ، كما أخبرني أحد أصدقائي المتشككين في كامبريدج ما هي شركة أوكسيدنتال. اللغات الأوروبية أعضاء في نفس العائلة. وجودهم المفصول هو اسطورة. بالنسبة للعلوم والموسيقى والرياضة وما إلى ذلك ، تستخدم أوروبا نفس المفردات. تختلف اللغات فقط في قواعدها ونطقها وكلماتها الأكثر شيوعًا. يدرك الجميع سبب الرغبة في إنشاء لغة مشتركة جديدة: يمكن للمرء أن يرفض دفع أتعاب المترجمين الباهظين. لتحقيق ذلك ، سيكون من الضروري أن يكون لديك قواعد موحدة ونطق وكلمات أكثر شيوعًا. إذا اجتمعت عدة لغات ، فإن قواعد اللغة الناتجة تكون أكثر بساطة وانتظامًا من اللغات الفردية. ستكون اللغة المشتركة الجديدة أكثر بساطة وانتظامًا من اللغات الأوروبية الحالية. ستكون بسيطة مثل أوكسيدنتال. في الواقع ، ستكون شركة أوكسيدنتال. بالنسبة لشخص إنجليزي ، سيبدو الأمر وكأنه لغة إنجليزية مبسطة ، كما أخبرني أحد أصدقائي المتشككين في كامبريدج ما هي شركة أوكسيدنتال. اللغات الأوروبية أعضاء في نفس العائلة. وجودهم المفصول هو اسطورة. بالنسبة للعلوم والموسيقى والرياضة وما إلى ذلك ، تستخدم أوروبا نفس المفردات. . The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular.

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