Coco Gothic Ultralight
Coco Gothic Ultralight Italic
Coco Gothic SmallCaps Ultralight
Coco Gothic SmallCaps Ultralight Italic
Coco Gothic Light
Coco Gothic Light Italic
Coco Gothic SmallCaps Light
Coco Gothic SmallCaps Light Italic
Coco Gothic Regular
Coco Gothic Italic
Coco Gothic SmallCaps Italic
Coco Gothic SmallCaps Regular
Coco Gothic Bold
Coco Gothic Bold Italic
Coco Gothic SmallCaps Bold
Coco Gothic SmallCaps Bold Italic
Coco Gothic Heavy
Coco Gothic Heavy Italic
Coco Gothic SmallCaps Heavy
Coco Gothic SmallCaps Heavy Italic
Coco Gothic Fat
Coco Gothic Fat Italic
Coco Gothic SmallCaps Fat
Coco Gothic SmallCaps Fat Italic
Coco Gothic Alternate Ultralight
Coco Gothic Alternate Ultralight Italic
Coco Gothic Alternate Light
Coco Gothic Alternate Light Italic
Coco Gothic Alternate Regular
Coco Gothic Alternate Italic
Coco Gothic Alternate Bold
Coco Gothic Alternate Bold Italic
Coco Gothic Alternate Heavy
Coco Gothic Alternate Heavy Italic
Coco Gothic Alternate Fat
Coco Gothic Alternate Fat Italic
Available Formats
Desktop Licenses
Extended Licenses
Scripts supported
Coco Gothic is a contemporary take on the retro geometric sans serif style of early XX century typefaces like Futura and Avenir. The cold, geometric shapes typical of those modernism typefaces have been made softer and more contemporary by visual corrections and slightly rounded corners and a minimalistic design feel. The name of the typeface family comes from the nickname of fashion beloved icon Coco Chanel.
It comes in six weights with matching italics and features an extended character set with open type support for small caps, ligatures, alternates, European languages, Greek and Cyrillic alphabets. In 2017 a revised version was released, including 12 alternate and 12 smallcaps weights for a total of 36 fonts ready to solve your design problems.
Equipped with a rich array of historical variants, Coco Gothic is also an encyclopedia of styles from the last century, ready to transform itself and adapt to the mood of your text. You can check a visual presentation of this type family on our Behance Coco Gothic Page.
Please notice: All advanced features (small caps, alternate sets & ligatures) are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Historical variants included only for uppercase letters, and avalaible in Indesign / Photoshop through stylistic sets and in illustrator through Glyph Window. Download trial version and check your configuration before buying.
Features
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ff fiStandard Ligatures
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WagekStylistic Alternates
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AbagoSmall Capitals
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QKADCStylistic Set 1
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QKADCStylistic Set 2
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QKADCStylistic Set 3
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QKADCStylistic Set 4
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QKADCStylistic Set 5
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QKADCStylistic Set 7
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QKADCStylistic Set 8
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QKADCStylistic Set 9
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QKADCStylistic Set 10
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QKADCStylistic Set 11
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QKADCStylistic Set 12
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12360Oldstyle Figures
The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.
The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.