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Dialogue A Regular
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Created out of a mutual exchange of ideas

and interpretations of the traditional Venetian letterforms.

Dialogue A Regular
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AaBbCcDdEeFfGg

HhIiJjKkLlMmNn

OoPpQqRrSsTtUu

VvWwXxYyZz

0123456789?!

Registering Everlasting Inhibitions Registering Everlasting Inhibitions 
Dialogue A Regular Medium Bold Dialogue B Regular Medium Bold
6 styles + 1 Variable types
Full Family
start from 8532.2 24743.4 65%OFF
Pangram
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Dialogue A Regular

Start from 3534.7 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Dialogue A Medium

Start from 3534.7 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Dialogue A Bold

Start from 3534.7 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Dialogue B Regular

Start from 3534.7 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Dialogue B Medium

Start from 3534.7 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Dialogue B Bold

Start from 3534.7 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Available Formats

Desktop Licenses

B
N

Extended Licenses

G
A
M
L
Dialogue
Designed by Cosimo Lorenzo Pancini e Andrea Tartarelli Version 0.8 / released in 2023

Designed by Cosimo Lorenzo Pancini and Andrea TartarelliDialogue was created out of a mutual exchange of ideas and interpretations of the traditional Venetian letterforms. Drawing on brutalist design principles and a keen sense of balance, they sought to create a font that was equally effective at both text and display sizes. What emerged from this unique and intriguing typographic conversation is a typeface that is at once elegant and rugged, with crisp, sharp edges and smooth curves. The letters are bold and distinct, with a presence that commands attention and draws the reader in. Each character is meticulously crafted, with careful attention given to the spacing and alignment of each line. Despite its updated appearance, the typeface still manages to retain the classic elements that make old style serifs so attractive. The sweeping curves of the serifs, for example, are still present, but are refined with a pixel-perfect contemporary aesthethic, trying to create a font that is both timeless and forward-thinking. 

SUPPORT 194 LANGUAGES  SHOW ALL HIDE ALL
English, Spanish, Portuguese, French, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Malay, Uzbek (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Shona, Quechua, Albanian, Catalan, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Lombard, Lithuanian, Tsonga, Jamaican, Dholuo, Galician, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Latvian, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Occitan, Tetum, Oshiwambo, Basque, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Palauan, Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Slovio (Latin), Volapük

Weights

  • a
    A Regular
  • a
    A Medium
  • a
    A Bold
  • a
    B Regular
  • a
    B Medium
  • a
    B Bold
  • a
    Variable

Features

  • 1a
    Ordinals
  • H123
    Superscript

Variable Typefaces

Dialogue Variable

VARIABLE FONTS ARE ONLY AVAILABLE WITH THE FULL FAMILY PACKAGE, MAY NOT WORK WITH ALL THE SOFTWARE

Dialogue A Medium
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An artificial history of Venetian letterforms

Dialogue A Medium
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A chatGPT inspired retelling of the history of old style letterforms.

Dialogue A Regular
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Venetian letterforms originated in Venice, Italy in the 15th century during the Italian Renaissance. At the time, Venice was a bustling trade center with access to many cultures and traditions. This diverse community inspired a new style of writing that captured the elegance and refinement of the city. The Venetian letterforms were known for their decorative elements, graceful curves, and thick, expressive strokes. They quickly became popular and were used in books, documents, and official correspondence. The letterforms were also used in architectural and decorative designs throughout the city. One key figure in the development of Venetian letterforms was Giovanni Antonio Tagliente, who published the first book on the subject in 1524. His book, called "Lo presente libro insegna la vera arte," provided detailed instructions on how to create the intricate shapes and curves of the Venetian letters. Over time, the Venetian letterforms became more elaborate and ornate, incorporating intricate flourishes and decorative elements. The style continued to evolve through the Baroque and Rococo periods, with each new generation adding their own unique flair. Today, Venetian letterforms remain an important part of typography and calligraphy, with countless fonts and styles inspired by this rich tradition. They continue to be admired for their beauty and elegance, a testament to the enduring legacy of this vibrant and creative city.

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