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Boring Sans AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvXxYyZz1234567890 AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvXxYyZz1234567890 
Boring Sans, designed by Cosimo Lorenzo Pancini, is a typeface family designed along two variable axis: weight and weirdness. These two parameters allow designers to explore a full range of variations on sans serif design, starting from a neutral set of proportions and evolving to a strongly contrasted and dynamic treatment, ready to raise eyebrows on social media. [...] Boring Sans, designed by Cosimo Lorenzo Pancini, is a typeface family designed along two variable axis: weight and weirdness. These two parameters allow designers to explore a full range of variations on sans serif design, starting from a neutral set of proportions and evolving to a strongly contrasted and dynamic treatment, ready to raise eyebrows on social media. The basic "A" subfamily, developed in in five weights plus italics, behaves like a traditional, solid workhorse sans serif, with finely tuned proportions for optimal readability and minimal emotional impact. The "B" subfamily, developed in the same ten weights, shows a more contemporary "brutal" approach, with slanted lines, deep inktraps and stronger contrast. All these features are brought to the extreme in the ten weights of the "C" subfamily, with each letter a bombastic show of exhuberant weirdness. Each of the style variant is developed in five weight with matching italics, with a glyph set covering extended latin languages and including many alternate forms and stylistc sets. For control freaks the family package includes two variable font versions that allow fine tuning and control of the design options. 
Boring Sans • 32 styles + variable
Milligram AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvXxYyZz1234567890 AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvXxYyZz1234567890 
Grotesque sans typefaces: you know you won’t ever get tired of those. And any moment you decide that Vignelli was right and one swiss font is enough, here comes a new specimen from the past inviting you to try new takes on those grotesque modernist letterforms. It's a tight and crowded design space, so design decisions are subtle and almost unnoticeable. Whoever you decide to be in the details - either God or the Devil - you surely need a [...] Grotesque sans typefaces: you know you won’t ever get tired of those. And any moment you decide that Vignelli was right and one swiss font is enough, here comes a new specimen from the past inviting you to try new takes on those grotesque modernist letterforms. It's a tight and crowded design space, so design decisions are subtle and almost unnoticeable. Whoever you decide to be in the details - either God or the Devil - you surely need a taste for the infinitesimal to work with these shapes. Time design borders sandstoning shapes, in a delicate equilibrium between modernist precise ideals and the fascinating energy of old lead grotesques. This is how Milligram was born: designed by Cosimo Lorenzo Pancini with Andrea Tartarelli, this typeface is an homage to the Akzidenz Grotesk that never was. Milligram revolves around an idiosincratic relationship with negative space, inspired by the tight metrics modernist designers imposed on their layouts. Delegating a relaxed rythm to the Milligram Text subfamily, the display-oriented Milligram family plays with a feeling of attraction behind shapes - something brought to the extremes in the "tight & touching" Milligram Macro variant. 
Milligram • 30 styles + variable
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