The island of Fuerteventura is more known for its white sand beaches and windsurf-friendly constant winds than for its typographic marvels. Still, it's on the walls of a ballroom next to its white-sand beaches that Debora Manetti found the hand-painted letterforms that she took as inspiration for her typeface Sala de Fiestas. The resulting font was a condensed sans serif full of curious details and a jumpy latino vibe that many years after [...] The island of Fuerteventura is more known for its white sand beaches and windsurf-friendly constant winds than for its typographic marvels. Still, it's on the walls of a ballroom next to its white-sand beaches that Debora Manetti found the hand-painted letterforms that she took as inspiration for her typeface Sala de Fiestas. The resulting font was a condensed sans serif full of curious details and a jumpy latino vibe that many years after still keeps its freshness and vernacular charme. Francesco Canovaro took the original typeface as a starting point for a grand tour into signpainter aesthetics, developing a reboot of the original into a new type family: Salad. While being faithful to the original proportions and feeling, Salad provides extreme versatility through its five-weights range, its extended charset and its set of Open Type features including stylistic sets, alternates, positional numerals, small capitals and case sensitive forms. While the roman family with its italic counterpart provide a good workhorse tool for informal branding, packaging and editorial projects, the interlocking and the inline weights add additional possibilities for display purpouses. This is enriched by the inclusion in the typeface of a set hand-drawn decorative dingbats that further complement the signpainting vibe of the family. All Zetafonts expertise in handmade lettering, typographic design and water sports has been put to test to assure Salad is the best typographical alternative to a a trip to Canary Islands!

A Day Without Sun is an ultra-condensed version of Panforte, created by Cosimo Lorenzo Pancini based on the design of Debora Manetti for Panforte. Hand drawn in easy big strokes, its an extremely condensed typeface that allows you to typeset text in faux-handamade fashion, with the subtle elegance of vintage handlettered menus. Lovers of world cuisine will be delighted to discover that it supports over forty languages using the latin alphabet, [...] A Day Without Sun is an ultra-condensed version of Panforte, created by Cosimo Lorenzo Pancini based on the design of Debora Manetti for Panforte. Hand drawn in easy big strokes, its an extremely condensed typeface that allows you to typeset text in faux-handamade fashion, with the subtle elegance of vintage handlettered menus. Lovers of world cuisine will be delighted to discover that it supports over forty languages using the latin alphabet, spiced with hand-picked diacritics and comes also with a tasty side dish of greek and cyrillic characters.Its grungy, handmade characteristics are visible at medium and high point sizes but do not impact the effect of the font when set in text. A Day Without Sun open type features include small case characters, oldstyle numerals and a series of ligatures that help keeping the distinctive handmade look (they can be switched off by unchecking the “standard ligatures” option in your design software). A Day Without Sun includes some special ligature dingbats, accessible by typing the corresponding sequence of characters: please refer to the specimen for a guide to typing.

Adlery is a brush typeface designed by Cosimo Lorenzo Pancini for display use. It has a handmade feel and it’s optimized for maximum readability at medium sizes. The typeface comes in three styles: Basic, Swash and Blockletter Uppercase and has a double set of lowercase alphabets that alternate in writing, so that no double letters are the same.

Advertsing Script is a brush script typeface inspired by a handmade sample drawn by the calligrapher Ross Frederic George and depicted in  Speedball 1947 Textbook  Manual. Advertsing Scripti has a vintage brush script look, perfect for food packaging, display and logo design and period advertising. [...] Advertsing Script is a brush script typeface inspired by a handmade sample drawn by the calligrapher Ross Frederic George and depicted in  Speedball 1947 Textbook  Manual. Advertsing Scripti has a vintage brush script look, perfect for food packaging, display and logo design and period advertising. The original design has been completely reworked and extended by the Zetafonts Masterclass 2016 Team to provide three lighter weights, a rough and a monoline variant, and to produce an extended character set with open type support for ligatures, alternates, European languages and ending swashes. Advertising Script covers over 40 languages that use the Latin alphabet, with a full range of accents and diacritics. It comes in four weights plus a special monoline weight. Advertising Script makes full use of Open Type ligatures to provide swashes, alternates and a wide array of ligature characters for a more handmade, natural look. Swashes can be accessed through glyph palette or by typing one to six underscores after the letter. Take care: open type features are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying!

  [...]   Another Shabby is a script typeface family designed by Francesco Canovaro for Zetanfonts. Its shapes are defined by rough, wide brushstrokes, slightly rounded in corners to mimic the feel of a real handwritten casual script. Another Wet Shabby covers over 200 languages that use the Greek, Russian Cyrillic and Latin alphabet, with a full range of accents and diacritics. The full family comes in four weights. The Raw and Wet versions allow you to create watercolor-textured and multilayered color images without having to resort to photo-retouch software. All characters are texturized for a watercolour (another wet shabby) or a chalk (another raw shabby) effect. Take care: the textured typeface is very processor intensive and should not be used for long text blocks. Previewing in MacOs and Windows may take some time or freeze your system temporarily. Try before buying!

Atlantica is a contemporary cursive brushscript typeface family designed by Pellisco with Cosimo Lorenzo Pancini for Zetafonts. [...] Atlantica is a contemporary cursive brushscript typeface family designed by Pellisco with Cosimo Lorenzo Pancini for Zetafonts. It comes in three variants. Atlantica Signature offers all the original letters designed by Pellisco with alternates avalaible as glyphs: it's mostly suited for display use. For text usage, Atlantica Text offers better readability by adopting a more restrained lowercase t and giving some small adjustments to the typeface. Finally, Atlantica Display offers a flamboyant logo typeface version, with multiple automatic ligatures making extreme use of open type substitutions, to transform every text in a lettering work of art. Atlantica is the third typeface in our Signature series, offering typefaces handmade by world-famous lettering artists, designers and illustrators. 

Bimbo ("baby" in Italian) is a monoline script font family created in 2018 by Francesco Canovaro for Zetafonts as an extension & redesign of the original Arsenale White typeface created with italian illustrator Jonathan Calugi. Bimbo expands the original design with six new weights and over 300 new characters to cover over 70 languages using the latin, greek and cyrillic alphabets, while keeping the handmade aesthetic that made [...] Bimbo ("baby" in Italian) is a monoline script font family created in 2018 by Francesco Canovaro for Zetafonts as an extension & redesign of the original Arsenale White typeface created with italian illustrator Jonathan Calugi. Bimbo expands the original design with six new weights and over 300 new characters to cover over 70 languages using the latin, greek and cyrillic alphabets, while keeping the handmade aesthetic that made successful the original font. Bimbo is essentially a display font, born for minimal lettering and logos, with a handwritten sensibility enhanced by the built-in letter swapping open type feature that makes sure double letters are always different one from another.  Open counters and a monoline design allow for great readability at small sizes, making Bimbo the ideal font for creating fake handwritten notes and metatextual jokes.

The Brush Strike Family is an exercise in dynamic, gestural brush type design by Francesco Canovaro. The typeface contains no lowercase set, but it doubles the uppercase with a strikethrough alternate set to be used for dynamic logo design and unusual word highlighting. Two weights are avalaible with consistent design: the light weight (Brushstrike Light aka Lightstrike) can work togheter with the heavier regular weight but can also be used in [...] The Brush Strike Family is an exercise in dynamic, gestural brush type design by Francesco Canovaro. The typeface contains no lowercase set, but it doubles the uppercase with a strikethrough alternate set to be used for dynamic logo design and unusual word highlighting. Two weights are avalaible with consistent design: the light weight (Brushstrike Light aka Lightstrike) can work togheter with the heavier regular weight but can also be used in white on dark background for light effects.

The goal of the project was to use as inspiration Alberto's colourful, vintage themed digital illustration style to develop a suite of closely related typefaces that, used together, would allow designers to replicate the nostalgic charme of Italian poster and product design from the thirties and the forties. Two color overprints, coarse dithering, handmade calligraphy, reminiscences of art deco, hints of modernism and pop culture references: all this and more mixed in a exuberant and playful collection, created with illustrators, poster artists and book cover designers in mind.  

Saul Bass iconic hand lettering for Otto Preminger's The Man with the Golden Arm film title sequence, as well as his innovative treatment of motion graphics still look fresh today, more than sixty years after they hit the screen. There's no way for a true lettering aficionado to avoid falling in love with Bass vibrating, almost brutal cut-out aestethics. As an humble homage to Bass inspiration and sensibility, and inspired also by [...] Saul Bass iconic hand lettering for Otto Preminger's The Man with the Golden Arm film title sequence, as well as his innovative treatment of motion graphics still look fresh today, more than sixty years after they hit the screen. There's no way for a true lettering aficionado to avoid falling in love with Bass vibrating, almost brutal cut-out aestethics. As an humble homage to Bass inspiration and sensibility, and inspired also by cartoon modern lettering and jazzy graphics of the fifties, we decidede to work on a typeface that could show interlocking rythm and variation in design without resorting to thousands of ligature special letters, but rather by virtue of its modular structure. The result is DoubleBass, a jazzy four-weights display family that provides an out-of-the-box tool for cartoon modern style logo and heading design. The alternating sets of capital letters and numbers make soure that a bouncy rythm is kept - by virtue of open type ligature substitution - while you type away.Lighter weights can work for small blocks of text, while the regular and heavy weights show their best in big sizes and display uses. Foreign languages using latin alphabet are covered, as well as russian cyrillic. Any time you need that jazzy retro vibe, just put on your turntable some cool bebop record and start designing!

Freehand is a type system designed by Debora Manetti and Francesco Canovaro to emulate the natural appearance of handmade brush writing. Open type ligature substitutions are used to randomly alternate between different versions of each character to give the final output a realistic, uneven look. [...] Freehand is a type system designed by Debora Manetti and Francesco Canovaro to emulate the natural appearance of handmade brush writing. Open type ligature substitutions are used to randomly alternate between different versions of each character to give the final output a realistic, uneven look. The main typeface of the system is a wide freestyle brush cursive, featuring over four hundreds of alternate version for characters and double letter ligatures. A "brush easy" version is included without the substitutions if you need more consistent look in your design and better control over letter variation through the glyph panel. The two freehand brush weights are complemented by two sets of icons of matching style, one for ui design with navigation icons and one with food icons. The system also includes a blockletter family in two weights, to be used together with the other fonts to create variation and contrast in your design. Freehand covers over 40 languages that use the Latin alphabet, with a full range of accents and diacritics.

Kitten is a multi weight script family with a signpainter aestethic and a wide range of variants, alternates and ligatures designed by Cosimo Lorenzo Pancini, with cat dingbats designed by Isabella Ahmadzadeh. Kitten curvy, bold shapes in the regular weight are perfect for logo design and display use, while the clean lighter weights, as well as the Monoline and the condensed Slant variant, are perfect for longer text blocks. [...] Kitten is a multi weight script family with a signpainter aestethic and a wide range of variants, alternates and ligatures designed by Cosimo Lorenzo Pancini, with cat dingbats designed by Isabella Ahmadzadeh. Kitten curvy, bold shapes in the regular weight are perfect for logo design and display use, while the clean lighter weights, as well as the Monoline and the condensed Slant variant, are perfect for longer text blocks. Kitten covers over 40 languages that use the Latin alphabet, with a full range of accents and diacritics. It comes in five weights and has three style variants: Regular, Slant and Swash. Kitten makes full use of Open Type ligatures to avoid letter clashes in uppercase and provide alternates and a wide array of ligature characters for a more handmade, natural look. Swashes can be accessed through glyph palette or by typing one to six underscores after the letter. A space followed by one to eight underscores produces different cat silouhettes. Take care: open type features are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying!

Radcliffe Hand is a typeface family designed by Cosimo Lorenzo Pancini with the help of Giulia Ursenna Dorati, re-inventing our Radcliffe family as a handwritten typeface. [...] Radcliffe Hand is a typeface family designed by Cosimo Lorenzo Pancini with the help of Giulia Ursenna Dorati, re-inventing our Radcliffe family as a handwritten typeface. Each glyph of the original typeface has been lovingly traced by hand, interpreting every design quality as a calligraphic quirk, thus allowing Radcliffe Hand to live in the middle ground between type and writing. Thanks to its wide & highly legible humanist skeleton, imbued with the dynamic qualities of handwriting, the typeface works both in display and text sizes, balancing expressivity and readability, and excelling in editorial and packaging uses where you want the text to keep display quality without becoming too hard to read.   Radcliffe Hand has been developed in four weights plus an extra connected cursive version, Radcliffe Script, that can be used together with Radcliffe Hand or with the standard Radcliffe and Radcliffe Casual to add an extra touch of handwriting to your designs. All the Radcliffe Hand typefaces include over 400 glyphs with extended latin languages coverage, open type number positional forms and a set of twenty hand-drawn arrows that can be accessed through discretionary ligatures allowing easy creation of "fake handwritten" side notes to your text.  

Zerocalcare is a typeface family created for the branding of Lucca Comics & Games Festival 2016. It's based on the digitised handwriting of italian comic artist Zerocalcare, and it uses open type substitutions to mimick the flow of real handwriting. The family has been released under creative commons attribution noncommercial license and it is free for use for any personal, noncommercial project.

Banana Yeti is a brush script typeface with a condensed vertical slant, inspired by a handmade sample drawn by the calligrapher Ross Frederic George and depicted in  Speedball 1947 Textbook  Manual. [...] Banana Yeti is a brush script typeface with a condensed vertical slant, inspired by a handmade sample drawn by the calligrapher Ross Frederic George and depicted in  Speedball 1947 Textbook  Manual. Banana Yeti has a vintage brush script look, perfect for food packaging, display and logo design and period advertising. The original design has been completely reworked and extended by the Zetafonts Masterclass 2016 Team to provide three lighter weights, and a monoline variant, as well as to produce an extended character set with open type support for ligatures, alternates, European languages and ending swashes. Banana Yeti covers over 40 languages that use the Latin alphabet, with a full range of accents and diacritics. It comes in four weights plus a special monoline weight. Banana Yeti makes full use of Open Type ligatures to provide swashes, arching letters and a wide array of ligature characters for a more handmade, natural look. Swashes can be accessed through glyph palette or by typing one to six underscores after the letter. Typing an underscore before a phrase creates arching text; close arch with another underscore. Variant ampersands can be accessed through glyph palette or by typing multiple ampersand characters. Take care: open type features are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying!  

This typeface - the third in the Zetafonts Signature artist-designed fonts - was hand drawn by italian illustrator Matteo Berton and lovingly digitized by Zetafonts to be used as main lettering font of the graphic novel "Voyage au Centre de la Terre" edited by La Pasteque, a lavishly illustrated re-telling of the classic Jules Verne tale. [...] This typeface - the third in the Zetafonts Signature artist-designed fonts - was hand drawn by italian illustrator Matteo Berton and lovingly digitized by Zetafonts to be used as main lettering font of the graphic novel "Voyage au Centre de la Terre" edited by La Pasteque, a lavishly illustrated re-telling of the classic Jules Verne tale. Born to complement the artist unique digital painting style, the typeface follows the Didot proportions with handmade quirks and differences, made natural by the programmed randomization of three different sets of alphabetic glyphs, to give a consistent and realistic handmade look. The chalky, rough finish is designed mainly for small point text size, to give a natural appearence to small texts, captions and any time you need hand-written notes to look realistic, elegant and readable. The typeface covers over seventy languages using latin alphabet, and includes also cyrillic glyphs for basic russian coverage. It comes in two weights, both with multiple character sets, alternating thanks to open type ligatures. 

[...] An handmade font created by the handwriting of Lord Byron.Byron is a unique contemporary font that imitates the style of handwriting and brush scripts.

Deep dream is a collection of generated Typefaces. This is our first font collection created with the help of an AI, The fonts are generated from 50.000+ vector shapes, we used a Deep Neural Network to create new typefaces from these shapes, the results are amazing, each font have a different story, some are more organic, some have a tech feel, some have a retro feel, but all of them are beautiful in their own way and can be used for any kind of [...] Deep dream is a collection of generated Typefaces. This is our first font collection created with the help of an AI, The fonts are generated from 50.000+ vector shapes, we used a Deep Neural Network to create new typefaces from these shapes, the results are amazing, each font have a different story, some are more organic, some have a tech feel, some have a retro feel, but all of them are beautiful in their own way and can be used for any kind of projects, Deep dream typefaces are here to stay and we will keep creating more and more, stay tuned! (This description is not written by humans)

DocPorn is the edgy comic lettering font for grownups. [...] DocPorn is the edgy comic lettering font for grownups. Stop playing with Comic Sans and all those fonts that try to look hand drawn but only manage to look awful when you have double letters togheter in the same word. Doc Porn has two complete uppercase sets of letters, so that you can create realistic looking handwriting by just alterning uppercase and lowercase letters. Because we know the difference between DoCpOrN and dOcPoRn.

Jamscript is a script typeface designed by Debora Manetti. It covers over 40 languages that use the Latin alphabet, with full range of accents and diacritics, and features a swash character in the underscore. [...] Jamscript is a script typeface designed by Debora Manetti. It covers over 40 languages that use the Latin alphabet, with full range of accents and diacritics, and features a swash character in the underscore.  

Panforte Pro is the basic ingredient for any tasty visual feast: a prime-cut font family, deliciously readable online and offline, space-saving and organic, appealing to hipster consumers and seasoned gluttons. [...] Panforte Pro is the basic ingredient for any tasty visual feast: a prime-cut font family, deliciously readable online and offline, space-saving and organic, appealing to hipster consumers and seasoned gluttons.   Hand drawn in easy big strokes, its a very condensed typeface that allows you to typeset easily long texts.Lovers of world cuisine will be delighted to discover that it supports over forty languages using the latin alphabet, spiced with hand-picked diacritics and comes also with a tasty side dish of greek and cyrillic characters. For all the nouvelle cuisine open type chefs, it features a set of proper small case character set and alternate oldstyle numerals, as well as a set of repeating letter ligatures to avoid that metallic taste of repeating double characters. Try it in our editable html5 sampler page.   Take care: All advanced features (small caps, alternate sets & ligatures) are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying!