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Geppetto True
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WHAT ARE YOUR EXPECTATIONS?
A)TRUE, B)FALSE, C)NON-BINARY

4 styles
Full Family
start from 59 116 49%OFF
Pangram
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Geppetto True

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Geppetto Small Lie

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Geppetto Medium Lie

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Geppetto Big Lie

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Available Formats

Desktop Licenses

B
N

Extended Licenses

G
A
M
L
Designed by Cosimo Lorenzo Pancini Version 1.0 / released in 2022

The project of Geppetto started as a revival of a condensed Tuscan typeface family appearing in the 1903 Tubbs Wood Type catalog. The design, probably derived from an 1859 typeface by William Hamilton Page, was used by Cosimo Lorenzo Pancini as a basic frame on which to build a variable typeface expanding the design space on a width axis.
Named after the character in Carlo Collodi’s notorious fibster Pinocchio, Geppetto is at the same time a love letter to wood type letterforms, and an exploration of the concept of "authenticity" in a typeface revival. What is kept and what is lost in the process of making wood shapes digital? Can the rich historical texture of wood type be translated in a font that is still readable, versatile and useful in the contemporary design panorama? And which of the two is a true typeface, making the other a mere ghost?

SUPPORT 152 LANGUAGES  SHOW ALL HIDE ALL
English, Spanish, German, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Indonesian, Cebuano, Igbo, Malay, Uzbek (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Somali, Zulu, Serbian, Shona, Quechua, Chichewa, Ilocano, Kikongo, Kinyarwanda, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Sotho (Southern), Kirundi, Belarusian (Latin), Turkmen (Latin), Bemba, Lithuanian, Tsonga, Jamaican, Dholuo, Galician, Ganda, Waray-Waray, Bikol, Kapampangan (Latin), Zarma, Ndebele, Slovenian, Tumbuka, Swazi, Latvian, Nahuatl, Silesian, Bashkir (Latin), Estonian, Afar, Tetum, Oshiwambo, Basque, Chavacano, Montenegrin, Asturian, Ossetian (Latin), Zapotec, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Samoan, Tzotzil, Fijian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Amis, Māori, Tok Pisin, Tongan, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Chamorro, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Chickasaw, Nagamese Creole, Saramaccan, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Wallisian, Aragonese, Tuvaluan, Xavante, Zuni, Hawaiian, Marquesan, Niuean, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Arrernte, Murrinh-Patha, Cofán, Seri, Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Ngiyambaa, Potawatomi, Abenaki, Esperanto, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük

Weights

  • C
    True
  • C
    Small Lie
  • C
    Medium Lie
  • C
    Big Lie

Features

  • fi ff
    Standard Ligatures
  • [(¡HO!)]
    Case-Sensitive Forms
  • fij tt
    Discretionary Ligatures
  • casa
    Stylistic Set 1
  • Ovo
    Stylistic Set 2
  • CQZ
    Stylistic Set 3
  • Ovo
    Stylistic Set 4
  • 1/4 3/4
    Fractions
  • 120
    Slashed Zero
Geppetto True
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PINOCCHIO - CAPITOLO UNO

Geppetto Medium Lie
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Come andò che Maestro Ciliegia, falegname trovò un pezzo di legno che piangeva e rideva come un bambino.

Geppetto Medium Lie
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— C’era una volta.... — Un re! — diranno subito i miei piccoli lettori. — No, ragazzi, avete sbagliato. C’era una volta un pezzo di legno. Non era un legno di lusso, ma un semplice pezzo da catasta, di quelli che d’inverno si mettono nelle stufe e nei caminetti per accendere il fuoco e per riscaldare le stanze. Non so come andasse, ma il fatto gli è che un bel giorno questo pezzo di legno capitò nella bottega di un vecchio falegname, il quale aveva nome mastr’Antonio, se non che tutti lo chiamavano maestro Ciliegia, per via della punta del suo naso, che era sempre lustra e paonazza, come una ciliegia matura. Appena maestro Ciliegia ebbe visto quel pezzo di legno, si rallegrò tutto; e dandosi una fregatina di mani per la contentezza, borbottò a mezza voce: — Questo legno è capitato a tempo; voglio servirmene per fare una gamba di tavolino. — Detto fatto, prese subito l’ascia arrotata per cominciare a levargli la scorza e a digrossarlo; ma quando fu lì per lasciare andare la prima asciata, rimase col braccio sospeso in aria, perchè sentì una vocina sottile sottile, che disse raccomandandosi: — Non mi picchiar tanto forte! — Figuratevi come rimase quel buon vecchio di maestro Ciliegia!

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