Created out of a mutual exchange of ideas
and interpretations of the traditional Venetian and Garalde letterforms.
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Designed by Cosimo Lorenzo Pancini and Andrea Tartarelli, Dialogue was created out of a mutual exchange of ideas and interpretations of the traditional garalde letterforms first developed in Venice by punchcutters like Francesco Griffo in the fifteenth century. Drawing on brutalist design principles and a keen sense of balance, they sought to create a font that was equally effective at both text and display sizes. What emerged from this unique and intriguing typographic conversation is a typeface that is at once elegant and rugged, with crisp, sharp edges and smooth curves. The spirit of exchange and conversation that animates this typeface wants to connect pixel-perfect contemporary aesthethic with renaissance proportions and timeless taste, keeping the high readability of old style letterforms but introducing little bold and distinct design details that command attention and draws the reader in. To honor the spirit of conversation, the typeface also includes a series of non-standard punctuation and conversation-specific icons, accessible via Open Type Features.
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Features
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ABCDESmall Capitals From Capitals
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AbagoSmall Capitals
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kayakStylistic Set 1
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goyaStylistic Set 2
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«Now⹇Stylistic Set 3
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COSStylistic Set 4
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1/2Fractions
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1aOrdinals
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h0123Oldstyle Figures
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H0123Superscript
Variable Typefaces
Dialogue Variable
Variable fonts are only available with the full family package (and might not be supported by all software)
An artificial history of Venetian letterforms
A chatGPT inspired retelling of the history of old style letterforms.
Venetian letterforms originated in Venice, Italy in the 15th century during the Italian Renaissance. At the time, Venice was a bustling trade center with access to many cultures and traditions. This diverse community inspired a new style of writing that captured the elegance and refinement of the city. The Venetian letterforms were known for their decorative elements, graceful curves, and thick, expressive strokes. They quickly became popular and were used in books, documents, and official correspondence. The letterforms were also used in architectural and decorative designs throughout the city. One key figure in the development of Venetian letterforms was Giovanni Antonio Tagliente, who published the first book on the subject in 1524. His book, called "Lo presente libro insegna la vera arte," provided detailed instructions on how to create the intricate shapes and curves of the Venetian letters. Over time, the Venetian letterforms became more elaborate and ornate, incorporating intricate flourishes and decorative elements. The style continued to evolve through the Baroque and Rococo periods, with each new generation adding their own unique flair. Today, Venetian letterforms remain an important part of typography and calligraphy, with countless fonts and styles inspired by this rich tradition. They continue to be admired for their beauty and elegance, a testament to the enduring legacy of this vibrant and creative city.