Arsenica • 43 styles + variable
Blacker Sans Pro • 63 styles + variable
Bogart • 29 styles + variable
Coco Gothic Pro • 48 styles + variable
Lovelace • 30 styles
. The designer wanted to find a way to bridge the classical letterforms of Roman Old Style typefaces with the readability of contemporary sans typefaces. This was achieved by using the so-called flared serif that emerges gradually from the stem of the letter, ending in a sharp angle. It's something that also reminds of the peculiar shapes of the Simoncini Method, invented by italian type designer Francesco Simoncini to get a sharper definition of letterforms. To this blend of classical elegance and modernist expertise, Malik adds the calligraphic influence of modern masters like Frederic Goudy or Ed Benguiat, visible in signature details like the reverse contrast uppercase B, or the calligraphic lowercase k.
Malik • 18 styles + variable
Cairoli • 88 styles + variable
The goal of the project was to use as inspiration Alberto's colourful, vintage themed digital illustration style to develop a suite of closely related typefaces that, used together, would allow designers to replicate the nostalgic charme of Italian poster and product design from the thirties and the forties. Two color overprints, coarse dithering, handmade calligraphy, reminiscences of art deco, hints of modernism and pop culture references: all this and more mixed in a exuberant and playful collection, created with illustrators, poster artists and book cover designers in mind.
Casagrande • 24 styles
Claus • 1 styles
beta
Coco Tardis • 1 styles + variable
Cocogoose Classic • 16 styles
Cocomat Pro • 18 styles
Cocosignum • 10 styles
Cocotte • 12 styles
DoubleBass • 4 styles
Etrusco Now • 52 styles + variable
Freehand • 6 styles
Freitag • 20 styles + variable
Gronau • 4 styles
Stadio Now • 26 styles + variable
Swanstone • 1 styles
Bulletto • 5 styles
Quenta • 4 styles