Erotique Monoline
Erotique Regular
Erotique Medium
Erotique Bold
Erotique Sans Monoline
Erotique Alternate Monoline
Erotique Alternate Regular
Erotique Alternate Medium
Erotique Alternate Bold
Erotique Ornaments Regular
Erotique Sans Regular
Erotique Sans Medium
Erotique Sans Bold
Erotique Text Regular
Erotique Sans Alternate Monoline
Erotique Sans Alternate Regular
Erotique Sans Alternate Medium
Erotique Sans Alternate Bold
Erotique Sans Flourishes Regular
Designed by Cosimo Lorenzo Pancini and Mariachiara Fantini with the help of Solenn Bordeau, Erotique is an evolution of the original design by Zetafonts for Lovelace, that challenges its romantic curves with the glitchty & fluid aestethic of transmodern neo-brutalist typography. The seductive "evil serif" look of the Pheimester-like Oldstyle letter shapes is made edgier by the quirky connections and unexpected calligraphic twirls that marry digital distortions to traditional penmanship. Sensuous but sharp, Erotique speaks the language of teasing, and unrequited love, over-the-top and restrained like a show of japanese Kinbaku, and beautifully heartbreaking like a friendzone valentine.
Designed for display use, this high-contrast serif typeface is ready to take center stage in projects where a subtle elegance and an edgy, aggressive touch are required. For branding use it is paired by a Erotique Ornaments, a set of interlocking patterns based on the font letter-shapes, allowing for striking packaging, digital and ambient design. For editorial use it can add a sharp sensuality to logos and titles thanks to an impressive array of alternate glyphs, subtle ligatures and a set of whiplike fleurons, collected in the Erotique Flourishes pack. The typeface has been developed in the regular, medium and bold weight plus a monoline version, all of which have been paired with an Alternate version to give immediate access the more exotic alternate letterforms.
With a character set of over five hundred glyphs, all the the weights of Erotique cover almost 200 languages using extended latin, and include advanced Open Type features as Stylistic Alternates, Standard and Discretionary Ligatures, Positional Numerals, Swash and Case Sensitive Forms. If you are a typeface lover, be warned: Erotique could be your fatal attraction!
Weights
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EMonoline
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ERegular
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EMedium
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EBold
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EMonoline
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ERegular
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EMedium
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EBold
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EErotique Text Regular
Features
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fleaStandard Ligatures
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{[C&G]}Case-Sensitive Forms
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fakirDiscretionary Ligatures
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CEGNStylistic Alternates
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eg&kqStylistic Set 1
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egStylistic Set 2
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stadStylistic Set 3
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aStylistic Set 5
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iStylistic Set 6
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CEFGStylistic Set 7
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GSTXStylistic Set 8
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GSTXStylistic Set 9
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yaSwash
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12/23Fractions
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1a 2oOrdinals
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12360Oldstyle Figures
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1234Tabular Figures
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H123Denominators
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H123Subscript
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H123Superscript
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H123Scientific Inferiors
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H123Numerators
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AND THEuppercase dlig
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foxilowercase dlig
European languages
The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.
The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.
