The wickedness of
men live in bronze.
We write their
virtues on water.
William Shakespeare
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax Fx Space
Aquawax FX was developed by Francesco Canovaro as a new variant of the Aquawax family, one of the most beloved Zetafonts classics. This new typefamily is characterized by a contemporary and elegant design, that revisits the original design of 2008 with new geometric inventions, twisted with the current fluid zeitgeist.
Aquawax FX builds on the original Aquawax family by adding counter-inktraps to the letterforms and emphasizing the inner contrast of curves and corners creating a smoother, flowing and dynamic look. While inktraps are a design feature that prevents ink from bleeding or filling small spaces in letterforms to achieve a cleaner, more readable look, anti-inktraps characterize the design with a distinctive watery appearance, suitable for logo design and titles.
This watery effect is possible through a slight rounding of the inner and outer corners, keeping the original cuts at the letter terminals. A Space variant pushes FX experimentation furthermore, providing an alternate stencil-like style that takes legibility to the extreme, ready for logos and sci-fi headings.
This does not limit the usability of Aquawax FX to mere display intent. The Aquawax FX font family includes two versions (Roman and Space), each with nine weights, ranging from Thin to Heavy, and matching italics. With a total of 36 variants plus one variable version, Aquawax FX is a versatile type family that can be used for a variety of design projects, from branding and packaging to editorial design and advertising. Aquawax FX offers a fresh re-interpretation of the original Aquawax letterforms and proportions, with a dynamic and flowing look that is sure to make your projects stand out.
Writing system:
Language Supported:
Features
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fiStandard Ligatures
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(HO!)Case-Sensitive Forms
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WaxStylistic Set 1
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UgoStylistic Set 2
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AjaxStylistic Set 3
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WANDStylistic Set 5
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ANTStylistic Set 6
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WETStylistic Set 7
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afterStylistic Set 8
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12/23Fractions
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1234Tabular Figures
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H123Alternate Annotation Forms
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H123Denominators
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H123Subscript
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H123Superscript
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H123Scientific Inferiors
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H123Numerators
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120Slashed Zero
Variable Typefaces
Aquawax Fx Variable
Variable fonts are only available with the full family package (and might not be supported by all software)
European languages
The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.
The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.