Studio Gothic Thin
Studio Gothic Extralight
Studio Gothic Light
Studio Gothic Regular
Studio Gothic Medium
Studio Gothic Bold
Studio Gothic Extrabold
Studio Gothic Fat
Studio Gothic Thin Italic
Studio Gothic ExtraLight Italic
Studio Gothic Light Italic
Studio Gothic Regular Italic
Studio Gothic Medium Italic
Studio Gothic Bold Italic
Studio Gothic ExtraBold Italic
Studio Gothic Fat Italic
Studio Gothic Alternate Thin
Studio Gothic Alternate ExtraLight
Studio Gothic Alternate Light
Studio Gothic Alternate Regular
Studio Gothic Alternate Medium
Studio Gothic Alternate Bold
Studio Gothic Alternate ExtraBold
Studio Gothic Alternate Fat
Studio Gothic is a geometric sans typeface designed by Andrea Tartarelli of Zetafonts with Cosimo Lorenzo Pancini and Francesco Canovaro.
It takes inspiration from the ideas used by Alessandro Butti for his historical typeface Semplicità created in the thirties at the Studio Artistico of Fonderia Caratteri Nebiolo in Turin. In his design Butti reintepreted the modernist proportions of Futura while adding many original touches, creating a typeface that knew some success in the thirties and forties.
More a reinvention than a revival, Studio Gothic keeps the minimal and bare design logic of the original typeface (Semplcità in italian meaning simplicity) while proposing many original takes on letter shapes and proportions, with the aim to create a typeface that looks classic but unexpected, slightly modernist but still contemporary and fresh. These principles have been used also in the design of the companion italics, featuring slight calligraphic elements and making the italic weights suitable for display and logo usage. These same elements have been incorporated in the Studio Gothic Alternate family, giving you additional options to experiment with letter shapes and moods.
Each of Studio Gothic variant features a range of eight weights from thin to fat, coverage of over forty languages using the latin alphabet plus greek and cyrillic and a wide array of open type features.
Features
-
ff fiDiscretionary Ligatures
-
WagekStylistic Alternates
-
12/23Fractions
-
12360Oldstyle Figures
-
H123Denominators
-
H123Superscript
-
H123Scientific Inferiors
-
H123Numerators
-
120Slashed Zero
-
ct stdiscretionary ligatures
-
Gwstylistic alternates 02
European languages
The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.
The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.
